Wednesday, June 29, 2011

Annotated Bibliography Research

Doreen Kaleiwahea                                                                
June 28, 2011
Place-Based Education:   Is Place-Based Writing motivating for students?  


Bishop, S. (2004). The power of place. English Journal

, 93, No. 6 National Council of Teachers of English Retrieved from:  


july04/EJ0936Power


Researcher, Sharon Bishop states that when schools embrace place-based learning, the student learns the “value of community and acquire the skills to live well anywhere.”  Place-based education can shape English language arts curriculum and five   identified thematic patterns in place-based education that can be adapted to specific settings:  Cultural Studies (Social Studies), Nature Studies(Science), Real-World Problem Solving (Math), Internships and Entrepreneurial Opportunities (Literacy),  Induction into Community Processes (Service Learning).  This curriculum combines two of these patterns:  Reading to explore our area through research and Writing with the use of field trips, interviews, and photography.  In Reading stories written by local authors, students come to see the members of their families and community as real people whose lives have made significant contributions to this place.  Writings based on oral heritage interviews connect students to their families and to the elders of the community.  Place-conscious education also allows students to learn to value a small town that may seem boring or offer information the student never acquired.  They are often astounded by the wisdom and experiences of elders in the community.  Perhaps they will participate in solving the problem within the community or offer an aesthetic or connection value for a location.  Students describe these field trips as peaceful, stress-free places. They may become future preservationists of these environments.

Semken, S. ( 2005),  Sense of place and place-based introductory geoscience

teaching for American Indian and Alaska native undergraduates.   Journal

of Geoscience Education, 53, 2, 149-157
                                                  

SemkenPlacebasedGeoScienceforAmeriIndian.pdf



Place-based geoscience teaching could potentially enhance science literacy among American Indian, Alaska Native, and other underrepresented minority students, and bring more of them into the geoscience profession.  Teaching in Place-based geoscience emphasizes global respect of years of exploration and in-depth understanding of places from the indigenous people to which the environment has prior meaning.  Many teachers and researchers recommend a greater emphasis on the study of local places and making the connection to local cultural knowledge, and community at an early age; preferably elementary age and continuing throughout high school.  Place-based content can be focused explicitly on the natural geological attributes of a place.  Students who learn to interpret Earth systems in the context of their surroundings rather than "covering" a textbook can work in the field and with local geological and paleontological collecting specimens locally. Regional maps, cross-sections, and images have pride of place using ancient names and legends of the language in the land.  Art is familiar to the indigenous student who is influenced by landscape patterns, colors, and Indigenous artistic style.  Such prior experience promotes indigenous students to excel due to their prior knowledge.  

Kinloch, V. (2009). Innovative writing instruction. English Education, 99,1

Retrieved from: http://www.ncte.org/journals/ej/issues/v99-1

Writing within a virtual environment combined with the experience of face-to-face meetings with a mentor writer can bring out innovation or new inventions in writing. The virtual environment can be one created by the writer or the writer chooses to immerse his/her self into.  It can be created by the writer, but often has to be created.  The author must look for avenues of inspiration with others or alone.  The writer and mentor perspectives and writing stories can inform our thinking about writing; the audience we address, the fashion in which we touch the reader, our accountability.  We can be challenged to reconsider writing experiences that we individually create and become authors of.  We make a setting or choose a setting of a writing environment.  This experience invites us to cherish the writing encounters we create.  Individually, these stories can reawaken our desires to be inventive and to stimulate others as they stimulate us.  The author quotes poet, Adrienne Rich, “to write as if your life depended on it”. Tapping into our writing selves and the stories that emerge, however partial, however incomplete and view it as a work-in-progress.   However hesitant we are or eager, we can open up a world of “innovative writing instruction” for our students, our colleagues, ourselves, and others yet known to us.

Emekaua, E. (2004). The case for place based, the star with my name: the.

 Rural Trust White Paper.

Retrieved from: http://www.ruraledu.org/search.php?kw=emekaua

In Alaska, a curriculum called the Culturally Aligned Curriculum Adaptations was intended to develop, in cooperation with participating school districts, a comprehensive, culturally aligned curriculum framework that balanced and integrated Native and non-Native knowledge and skills. It is a place-based curriculum model.  The structure of the curriculum, the teaching context, and assessment practices gave cultural appropriateness using the same level of attention as content and methods.  Curriculum development involved students, administration and related teacher education effort.  Science, Literature, Writing and Social Studies texts were eliminated as much as possible.  In its place were local stories, legends, science of local geographical interests and natural resources.  The curriculum required local cultural specialist such as Elders, Tribal Leaders and indigenous teachers to ensure local input and shared control over decision making and implementation. Students in this curriculum were required to demonstrate their competence in state and cultural standards through projects, exhibitions and portfolios.  Story-telling, art history, community reports and cultural practices were the many avenues the students used to engage into the curriculum.  In the beginning, their biggest problem was assessments due to the inability to align skills with their state assessments.  The solution was to submit a combination of curriculum grades and project grades which added fullness to the subject itself.



Resor, C.W. (2010). Place-based education: what is its place in the.

ISSN: 0037-7996 print / Taylor & Francis Group.

2152-405X online. DOI: 10.1080/00377990903493853

Place-based education is about local schools actively involved with the local community and environment as a starting point to teach concepts in language arts, mathematics, social studies, science and other subjects across the curriculum.  The emphasis is hands-on, real-world learning experiences, which approaches education and increases academic achievement.  It provides clarity for the student when there is place-based knowledge.  This helps students develop stronger ties to their community, enhancing student’s appreciation for the natural world, and creates a heightened commitment to serve as active, contributing citizens. It’s a win-win situation when community energy and environmental awareness are improved through the active engagement of students, families, local citizens, community organizations, and environmental resources in the life of the school.  Teachers and students changed the climate of the school campus with a more rounded conversation of interest levels.  Song lists, local art, community resources became the communication line between students and teachers; therefore enhancing teacher student relationship.

Monday, June 27, 2011

Sample of Research: Place-Based Education

Place-based education is about local schools actively involved with the local community and environment as a starting point to teach concepts in language arts, mathematics, social studies, science and other subjects across the curriculum.  The emphasis is hands-on, real-world learning experiences, which approaches education and increases academic achievement.  It provides clarity for the student when there is place-based knowledge.  This helps students develop stronger ties to their community, enhancing student’s appreciation for the natural world, and creates a heightened commitment to to serve as active, contributing citizens. It’s a win-win situation when community energy and environmental awareness are improved through the active engagement of students, families, local citizens, community organizations, and environmental resources in the life of the school.  Teachers and students changed the climate of the school campus with a more rounded conversation of interest levels.  Song lists, local art, community resources became the communication line between students and teachers; therefore enhancing teacher student relationship.

Bigelow, Terry Patrick., Vokoun, Michael J., (2006) “Stepping into the Classroom”,
            English Journal Vol. 95, No.4 National Council of Teachers

Wednesday, June 22, 2011

Lesson Plan--Writing in Place-Based Curriculum

Teaching Demonstrations:  Writing in a Place based Curriculum
Name:  Doreen Kaleiwahea
Length of Time: 90 min
Grade: 4th grade

Common Core Standards:
Writing Grade 4:
W.4.2. Write informative/explanatory texts to examine a topic and convey ideas and information clearly:
·        Introduce a topic clearly and group related information in paragraphs and sections; include formatting (e.g., headings), illustrations, and multimedia when useful to aiding comprehension.
Production and Distribution of Writing in Social Studies Grade 4:
W.4.4. Produce clear and coherent writing in which the development and organization are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)

Content  Concepts:  Use Place-Based information to motivate students to
Write, draw, provide clarity of understanding, participate in cultural
experiences.
GLO’S:
·        Self Directed Learner- students can work on their own, managing their time to complete the assignment.
·        Community contributor-students can share in the whole group/small group discussions at the beginning and end of the lessons.
·        Effective Communicator-students can share individually about their
Experience using clarity and sequence

Objectives: Student will provide writing using information, explain with clarity and share feedback.

Assessment(s) and or Evaluation:
Students writing piece will contain information, clarity and appreciation for
Culture and place-based information.

Student Rubric:
3-students are able to write 2 to 3 paragraphs on one subject
Name on your paper, date and Assignment name
2-students are able to write more than one paragraph using picture details and writing with clarity.
1-students are able to write one paragraph on one topic
0-students are not able to put anything on the paper.

Resources:
Vocabulary list
Visual Chart
Place-based craft, “ Ohe Kapala”, story stamp writing
Stamping paper
Writing paper

Procedures:
(Lesson Introduction/Anticipatory Set/Connection to Prior Knowledge)
1)    Prior knowledge:  identify Cultural elements, Vocabulary list
2)    Read Story about area of Kona, “Ohe Kapala”
3)    Introduce cultural elements for making “Ohe Kapala”
4)    Students will produce their interpretation of “Ohe Kapala”
5)    Students will write about their place based experience
6)    Students will share with elbow group

Closing Procedures

·        Discuss other cultures and elements from the culture that can motivate
Students to write
·        Students may give suggestions for teacher to plan future presentations.
·        Modifications for Diverse Learners:
Expose students to a video story about culture appreciation.  Modify lesson for all student participation; i.e. larger print, handles, peer and adult assistance, chunk work, simplified language.

Teacher’s Reflection on Lesson:  (will enter after lesson presentation)

Writer's Workshop--Chapter 7--Literature in the Workshop

Doreen Kaleiwahea  6/21/2011
Writer’s Workshop:  Chapter 7   Literature in the Writing Workshop

          Chapter 7 contains a line I would like to quote and even add to my quote book, “We write with our minds, our hearts, and our ears (pg. 74).” 
Empowering these senses will assist your student into the better writer/thinker.  Usually, the author retorts, when your students does write like this, they are students who are avid readers.  The challenge is becoming
a lover of reading.  If a child does not already have a love for reading, instill a love for listening.  The teacher’s important role is to connect the student to the craft of writing through the love of reading, listening, talking about and sharing the love of stories.  Literature can be part of that love when the teacher skillfully exposes the child to good writing, different kinds of writing and being lead into the deeper quality of stories. 
          This chapter confirms that reading aloud builds community in classrooms.  Reading together paired with sharing the confusing points of the story help with clarity, understanding and inferencing.  The suggested craft to be practiced is time and occurance, read superior books (a list is provided), using writer’s craft to assist in all writing areas of curriculum content; literature, math, science, social studies, etc.  Suggestions for the classroom—Stock your library with quality books, use picture books that spark interest, find out what you do not know about your students’ writing; ask in many ways what they like and don’t like about writing, design an easy system for writing and keeping track of writing.  These are elements of this chapter that I will implement in my upcoming year.

Tuesday, June 21, 2011

Writer's Workshop Chapter 5--Student Conferencing

Doreen Kaleiwahea 6/20/2011
Writing Workshop:  Chapter  5 Conferring with Writers

          Conferencing is a component of my writing block within my classroom for the past year.  The many great suggestions listed in this chapter give to improving something that I believe in.  I like the suggestions for “talking with the student, affirming the child and being present to the reader.”  I like the suggestions for listening effectively to the child and making deep listening as part of a teacher’s best practices.  These deep listening practices consist of a teacher’s true interest in the writing piece,
laughing and enjoying the writing piece with the student, ultimately demonstrating  that the writing has affected the reader; the teacher.
          This chapter challenges the reader/teacher to convey clearly to the student that their writing is important.  The body language, level of listening engagement, exchanging energy, and knowing the student’s progress are key to the student noticing the teacher’s interest.  Hopefully, this kind of engagement will demonstrate support and the student will respond positively to new genre, exercising new skills and taking new chances.  This chapter encourages me to see the student writer with new eyes.  Building on strengths is key to solidify skills that work; it’s the new habits that will take student initiative to implement.  The new habits are hopefully new interest, self-assessments, and taking new chances in writing. 
          The intimate on- to-one “encounters” can make all the difference for the new writer.  “Teach the Writer” not the writing.  The ultimate desire is to focus on one skill at a time, suggestions are; adding to the drawing, sounding out words, spacing words and improving the presentation, adding details, increasing length of writing piece, and sequencing beginning, middle and end.  I personally have use several common strategies; chunking, most important part, adding, anticipating and sharpening a lead.  I will use shortening my conferences, talking through and beyond the story, empowering the student to be a problem finder.  The “Making it Work” page in the classroom is a poster that I will hang in my classroom to remind ME to improve on writing.  I think it would look like this:
·        Check the Writer’s Conference Schedule
·        Listen with your heart
·        Always give Praise liberally
·        Short conferences, long patient environment
This chapter is the beginning of a new kind of Writing block for me. 

Monday, June 20, 2011

Writer's Workshop Chapter 3

Writer’s Workshop
Chapter 3: Short Term Goals

When designing the Writer’s Workshop it’s important to not get overwhelmed with the long term requirements that are listed in the state standards. (If you do this you risk sinking the workshop and creating chaos within your classroom.) To begin, you must keep in mind the short term goals, which is the heart of the Writer’s Workshop:

Getting students to love writing
Establishing a safe environment
Creating a workable classroom management system

Here are some suggestions on how to best achieve these three short terms goals:
Getting students to love writing; self-satisfaction and high interest,
Give them regular writing time; give them consistency and expected performance
Give them real choices (which will give them a sense of ownership)
Show a genuine interest in their work
Establishing a safe environment
Give students choices in what they write (again!)
Give specific praise
Let primary students draw
Read aloud texts that model different types of writing
Use a writer’s notebook (in upper grades)
Write with your students (so you model for them)
Creating a workable classroom management system
Dedicate several mini lessons at the beginning of the year that focus on management (and not standards).
You want your students to work independently
Have a “finished tray” where finished pieces of writing go so not to interrupt the teacher when conferencing
Keep an unfinished writing folder that houses topics to write about and unfinished pieces.
Provide an accessible place for the finished writing folder (all finished pieces with rubrics)

This chapter had a lot of good information. It made you think of the goals and reasons for a Writer’s Workshop. The biggest AHA was taking a step back from the expectations of the standards and focusing on the short term goals of creating a harmonious and safe classroom environment for your students. Realizing that you need to focus on the overarching goals rather than the specific standards will truly aid in effective implementation of the Writer’s Workshop.

As a special needs teacher in grades 2,3,4, and 5,  I will take this information back to my classroom at the beginning of the new school year. I feel that I can focus on the short term goals in a more paced schedule. There seems to never be time to adjust and I realize that a slower more focused plan will
fit my differentiated curriculum.


Waiakea Elementary E-101

Waiakea Elementary E-101